Talks

Organizer, “Picturing the Border Speaker Series: Cristina Martinez and Eugenio Salas,” Berman Museum of Art, October 17, 2024

“The Conflicting Environmentalisms of Arte Ecológico at the XIV Bienal de São Paulo, 1977,” The Art of Ecological Justice, Latin American Studies Association Conference, Bogotá, Colombia (June 2024).

Session Chair, Ecocritical Perspectives on Art from the Americas and Caribbean, College Art Association Annual Conference, Chicago, IL (February 2024).

“The Ecologies of Art in 1970s Argentina,” 26th Annual Graduate Student Symposium on the History of Art, Barnes Foundation, Philadelphia (February 2021).

“Argentina Intermedios: a two-night show and a fitting descriptor of Buenos Aires at the turn of the 1970s,” Arts of the Screen in Latin America, 1968-1990, College Art Association Annual Conference (February 2021).

“The Birds and the Bees of Luis Benedit,” Animal/Material, Southeastern College Art Conference (December 2020).

“A Transnational Arte de Sistemas: The Centro de Arte y Comunicación in Argentina and Abroad, 1968 – 1983,” Living Histories of Art from Latin America: A Workshop with Gerardo Mosquera, University of Maryland (March 2020).

“Cybernetic Circulations of the Centro de Arte y Comunicación,” Artes tecnológicas contemporáneas: tensiones teóricas, metodológicas e historiográficas en las fronteras del canon, X Congreso Internacional de Teoría e Historia de las Artes, Centro Argentino de Investigadores de Arte, Buenos Aires, Argentina (September 2019).

“Notes for an Ecocritical Analysis of 1970s Art in the Southern Cone,” Fulbright U.S. Student Researcher Seminar, Rio de Janeiro, Brazil (August 2019).

Session Co-Chair, with Tie Jojima, Experiments with Technology in Latin American Art: From the 1960s to the 1980s, College Art Association Annual Conference, Los Angeles, CA (February 2018).

Co-Organizer, “Reconsidering Contemporary Latino Art in the Curatorial Context: Taller Puertorriqueño and Unpacking Hispañola,” Tyler School of Art, Temple University, in association with Taller Puertorriqueño, co-organizers: Abigail Lapin Dardashti and Maeve Coudrelle.

“Preserving and Controlling the Experience of Land Art: Films by Mary Miss and Her Contemporaries,” Preserving the Artistic Legacies of the 1960s and 1970s, College Art Association Annual Conference, New York, NY (February 2015).

“Mary Miss and Film: Adapting Narrative to Land Art,” The Narrative in Modern and Contemporary Art, Southeastern College Art Conference, Sarasota, FL (October 2014).